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MOTH MIMICRY: USING ULTRASOUND TO AVOID BATS

Film Info

10 minutes
Gorongosa Media Project and Off The Fence, Howard Hughes Medical Institute
Available for Free events ONLY
Synopsis:
Jesse Barber and two graduate students headed to Gorongosa National Park to study bat-moth, predator-prey interactions.  The scientists design several experiments to determine the strategies that have evolved in these Gorongosa moths to avoid being eaten by bats. The strategies involve the use of ultrasound to either jam bats’ sonars or to signal to bats that they taste bad. Some of the moth species are Batesian mimics in that they don’t truly taste bad but mimic the ultrasound of moths that do.

Filmmaker Q & A

What inspired this story?
Jesse Barber at Boise State University has long been studying how the long tails of one group of seemingly defenseless moths (Saturniids) are used to divert bat attacks. One lineage of these moths is abundant in Mozambique and so Jesse was planning to go to Gorongosa National Park to investigate how these moths have evolved to evade the over 40 species of bats there. We decided to follow him to Gorongosa to document his work.
 
Describe some of the challenges faced while making this film
Gorongosa National Park in December 2015 was very dry. As a consequence of the weather, there were few moths and we initially thought that Jesse Barber wouldn't have enough samples to perform his research. Worried and making rushed decisions, we (the film crew) and Jesse's team went camping to remote areas of the park looking for more moths. We came back to camp disappointed.
 With a little bit of patience, we waited night after night for the ultraviolet light to attract insects. And it turned out that Jesse found plenty of samples and and an incredible diversity of moths very close to his cabin.
 
How do you approach science storytelling?
Converting scientific concepts into compelling narrative stories helps to reveal important discoveries.  With science storytelling, filmmakers and scientists work together to unfold the different layers of a particular investigation. The approach is to lead viewers to understand the progression of each step into a research question and /or experiment. We engage the audience by explaining how research happens and why it matters.
 
What impact do you hope this film will have?
We hope the film will inspire generations of young scientists.

Were there any surprising or meaningful moments/experiences you want to share?
Jesse Barber's work shows the importance of audiovisual data in research. It is remarkable to see how the combination of media and science produces wonderful results. The use of high speed cameras and ultrasonic microphones exposed a completely unknown world to our eyes and ears.
 
Anything else you would like people to know?
Moths’ anti-bat strategies are fascinating. In addition to ultrasound production, moths have many tools to get away from bats. Being able to hear bats coming, not only triggers moths’ ultrasound, but it also helps the moths escape. When bats get close, and the SONAR gets loud, many of these moths dive, spiral, or loop to get away.  Jesse Barber observed these behaviors just by watching the night sky. This is probably a filming challenge--the only way to capture this would be with free flying bats and free flying moths!
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SITEMAP

  • Home
  • About
    • Get Involved >
      • Donate
      • Become a Partner
      • Volunteer
      • Internships
    • Board of Directors
    • Advisory Council
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  • Summit
    • 2022 Summit >
      • Summit Photos
      • Program & Schedule
      • Transportation >
        • Airport Transportation
      • Speakers
      • 2022 Partners
      • About Burgenland
    • Summit Archive >
      • 2021 Summit >
        • 2021 Summit Sessions
        • Program & Schedule 2021
        • Speakers
        • 2021 Partners
      • 2020 Virtual Summit >
        • Speakers 2020
        • 2020 Partners
      • 2019 Summit >
        • 2019 Program & Schedule
        • 2019 Session Recordings
        • 2019 Programming
        • 2019 Exhibitors >
          • Exhibitor Workshops
          • XR Demos
        • 2019 Partners
      • 2017 Festival & Summit
      • 2015 Festival & Summit
      • 2013 Festival & Summit
  • Awards
    • Media Awards >
      • 2022 Media Awards
      • 2021 Media Awards
      • 2020 Media Awards
      • 2019 Media Awards >
        • 2019 Judges
      • Media Awards Archive
    • Special Jury Recognitions >
      • 2022 Special Jury
      • 2021 Special Jury
    • World Wildlife Day Film Showcase >
      • Conservation Heroes
      • Recovering Species
      • Forests
      • Biodiversity >
        • Biodiversity: Final Jury
      • Living Oceans >
        • Ocean Finalists & Winners
        • Living Oceans Final Jury
      • Big Cats
      • Elephants
    • Legacy Award
    • Rising Star Award
    • On Tour >
      • Films
      • Schedule
      • Host an Event
      • Tour FAQ
  • Frontiers
    • Media Lab >
      • 2022 Media Lab Fellows
      • 2021 Media Lab >
        • 2021 Media Lab Fellows
        • 2021 Media Lab: South Africa
        • 2021 Media Lab Mentors
      • 2020 Media Lab >
        • 2020 Media Lab Fellows
        • 2020 Media Lab Contributors
      • 2019 Media Lab >
        • 2019 Media Lab Fellows
    • Summit Fellowship >
      • 2022 Summit Fellows
      • 2021 Summit Fellows
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      • 2019 Summit Fellows
    • Cinematography Lab
    • Partner Labs >
      • African Conservation Voices >
        • Kenya
        • Rwanda
      • 2020 Wild Women Media Lab: Africa
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